Cinema Grand
Three great systems for a thousand and change
(continued)
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The Short Form
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| iagamerica.com / 508-850-3950 / $1,400 |
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Plus
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| •Superbly accurate and musical left/right front satellites. •Low-profile surrounds deliver clean high-level dynamics. |
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Minus
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| •Sub runs out of gas before main speakers and lacks crossover bypass. •Tonality of center speaker slightly different from L/R front satellites. |
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test bench
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| The frequency-response curve for the Diamond 9.1 left/right speaker sloped gently downward from bass to treble, and all three speakers showed relatively limited high-frequency extension. The subwoofer had ample output at 62 Hz (110 dB maximum) but averaged just 99 dB SPL from 25 to 62 Hz. Full lab results |
The compact British sub was tight, musical, and extended on stereo or multichannel music up to pretty high volumes, and it integrated well with the Diamond 9.1s at a typical 80-Hz crossover despite lacking a crossover bypass. But big, bottom-octave-rich cinematic impacts caused it to stumble, with both port noise and amplifier-limiting effects that sounded like rattly burbling. While never truly overt, you could hear these things on demanding deep-bass passages — like when the bass drum in Troy’s score kicked in — and especially when I set the volume at or just below the THX reference level. Wharfedale’s SW250 subwoofer, a different 10-inch model with a bigger amp and enclosure than the SW150 reviewed here, might be worth a look, since the SW150 ran out of steam well before the Diamond 9.1s had reached their dynamic limit.
BOTTOM LINE Wharfedale’s Diamond 9.1 is a truly excellent small, inexpensive two-way speaker system that delivers fine sound for music and solid movie reproduction. It could use a bigger sub and a slightly more accurate center speaker — both of which Wharfedale offers a bit higher up in its line. But this remains a strong little system just as it is.
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