The Sound of Style
Three surround speaker packages bound to please both eyes and ears
(continued)


Because they share a common driver topology, the curves for the V2 FS left/right front, V2 CC center, and V2 surround speakers in the Mirage Omnisat V2 system have a similar characteristic, marked by a raised low-frequency band and roughened highs that are shelved downward above approximately 1 kHz. Directivity was quite uniform at all listening angles. The speakers also had unusually low sensitivity. The S10 subwoofer had above-average dynamic capability and virtually no level/crossover control interaction. The actual acoustical turnover frequencies varied only between 60 and 101 Hz although the dial was marked from 40 to 120 Hz.

Polk Audio’s RM30 left/right front satellite had well-controlled directivity, with a curious 3-dB hump between 1 and 2 kHz and roughness at higher frequencies. The RM302 center speaker began lobing at 15° off-axis, and this became progressively more severe at wider listening angles. The RM101 surround also had well-controlled directivity, but the roughness between 1.5 and 8 kHz and shelved response above 8 kHz showed in every trace I ran, at every angle. The PSW404 subwoofer had moderate overall dynamic capability but delivered 105 dB SPL between 40 and 62 Hz. Although the crossover control is specified as 60 to 125 Hz, the true acoustical range varies from 66 to 113 Hz, and there was a moderate (–3.5-dB) interaction with the level control.



