DOLBY DIGITAL PERFORMANCE
All data were obtained from various test DVDs using 16-bit dithered test signals, which set limits on measured distortion and noise performance. Reference input level is –20 dBFS, and reference output is 1 watt into 8 ohms. Volume setting for reference level was –3.5. All level trims were at zero, except for subwoofer-related tests; all speakers were set to "large," subwoofer on. All are worst-case figures where applicable.
Output at clipping (1 kHz into 8/4 ohms)
1 channel driven: 166/260 W (22.2/24.2* dBW)
5 channels driven (8 ohms): 108 W (20.3 dBW)
6 channels driven (8 ohms): 108 W (20.3 dBW)
Distortion at 1 watt (THD+N, 1 kHz)
8/4 ohms: 0.02/0.03%
Noise level (A-wtd): –75.8 dB
Excess noise (with sine tone)
16-bit (EN16): +0.4 dB
Frequency response: 20 Hz to 20 kHz +0, –0.1 dB
MULTICHANNEL PERFORMANCE, ANALOG INPUT
Reference input and output level is 200 mV; volume setting for reference output level was –19.
Distortion (THD+N, 1 kHz, 8 ohms): 0.02%
Noise level (A-wtd): –92.7 dB
Frequency response: <10 Hz to 96 kHz +0, –3 dB
STEREO PERFORMANCE, DIGITAL INPUT
Reference level is –20 dBFS; all level trims at zero. Volume setting for reference level was –4.
Output at clipping (1 kHz, 8/4 ohms, both channels driven): 153/224 W (21.8/23.5 dBW)
Distortion at reference level: 0.02%
Linearity error (at –90 dBFS): 0.02 dB
Noise level (A-wtd): –75.7 dB
with 96-kHz/24-bit signals: –89.3 dB
Excess noise (with/without sine tone)
16-bit (EN16): 0.15/0.2 dB
quasi-20-bit (EN20): 7/6.9 dB
Noise modulation: 0.2 dB
Frequency response: 20 Hz to 20 kHz +0, –0.2 dB
with 96-kHz/24-bit signals: 20 Hz to 44.3 kHz +0, –0.2 dB
BASS-MANAGEMENT PERFORMANCE
Measured results obtained with Dolby Digital test signals.
Subwoofer-output frequency response (crossover set to 80 Hz): 24 dB/octave above –6-dB rolloff point of 80 Hz
High-pass-filter frequency response (crossover set to 80 Hz): 12 dB/octave below –3-dB rolloff point of 80 Hz
Maximum unclipped subwoofer output (trim at 0): 10.1 volts
Subwoofer distortion (from 6-channel, 30-Hz, 0-dBFS signal; subwoofer trim set to 0): 0.2%
Crossover consistency: bass crossover frequency and slope same for all signal formats that receive bass management
Signal-format consistency: consistent for all applicable formats; bass management not available for multichannel analog signals
Speaker size selection: all channels can be set to "small."
Speaker-distance compensation: available for all main channels.
Denon's AVR-3806 aced every bench test I ran, with lots of power, near-perfect noise and linearity, and unusually good performance on our 24-bit/96 kHz PCM tests. Five- and 6-channel power were particularly impressive, remaining above 100 watts before clipping any channel.
DOLBY DIGITAL PERFORMANCE
All data were obtained from various test DVDs using 16-bit dithered test signals, which set limits on measured distortion and noise performance. Reference input level is –20 dBFS, and reference output is 1 watt into 8 ohms. Volume setting for reference level was –7. All level trims were at zero, except for subwoofer-related tests; all speakers were set to "large," subwoofer on. All are worst-case figures where applicable.
Output at clipping (1 kHz into 8/4 ohms)
1 channel driven: 148/239* W (21.7/23.8* dBW)
5 channels driven (8 ohms): 58 W (17.6** dBW)
6 channels driven (8 ohms): 44 W (16.4** dBW)
Distortion at 1 watt (THD+N, 1 kHz)
8/4 ohms: 0.03/0.04%
Noise level (A-wtd): –75.0 dB
Excess noise (with sine tone)
16-bit (EN16): +1.1 dB
Frequency response: 20 Hz to 20 kHz +0.7, –0.1 dB
* Speaker-impedance setup switch set to 6-ohm (higher) position; unit thermal-protected at lower powers with switch in 4-ohm position.
** Thermal protection (shutdown) occurred after a few seconds output at these levels; the receiver restarted without problem after the drive level was reduced.
MULTICHANNEL PERFORMANCE, ANALOG INPUT
Reference input and output level is 200 mV; volume setting for reference output level was –18.
Distortion (THD+N, 1 kHz, 8 ohms): 0.03%
Noise level (A-wtd): –85.3 dB
Frequency response: <10 Hz to 24 kHz +0, –3 dB
STEREO PERFORMANCE, DIGITAL INPUT
Reference level is –20 dBFS; all level trims at zero. Volume setting for reference level was –3.
Output at clipping (1 kHz, 8/4 ohms, both channels driven): 144/203 W (21.6/23.1 dBW)
Distortion at reference level: 0.03%
Linearity error (at –90 dBFS): 0.1 dB
Noise level (A-wtd): –71.4 dB
with 96-kHz/24-bit signals: –83.8 dB
Excess noise (with/without sine tone)
16-bit (EN16): 0.35/0.35 dB
quasi-20-bit (EN20): 8.9/8.9 dB
Noise modulation: 0.8 dB
Frequency response: 20 Hz to 20 kHz +0.1, –0.2 dB
with 96-kHz/24-bit signals: 20 Hz to 46 kHz +0, –0.7 dB
BASS-MANAGEMENT PERFORMANCE
Measured results obtained with Dolby Digital test signals.
Subwoofer-output frequency response (crossover set to 80 Hz): approx. 18 dB/octave above –6-dB rolloff point of 80 Hz
High-pass-filter frequency response (crossover set to 80 Hz): 12 dB/octave below –3-dB rolloff point of 80 Hz
Maximum unclipped subwoofer output (trim at 0): 7.1 volts
Subwoofer distortion (from 6-channel, 30-Hz, 0-dBFS signal; subwoofer trim set to 0): 0.08%
Crossover consistency: bass crossover frequency and slope same for all signal formats that receive bass management, but low-pass (sub) filter appeared to be less than 24 dB/octave, which is the THX standard
Signal-format consistency: consistent for all applicable formats; bass management is applied to multichannel analog inputs as directed by speaker setup (despite owner’s manual to the contrary)
Speaker size selection: all channels can be set to "small."
Speaker-distance compensation: available for all main channels.
The Integra DTR-7.6 performed excellently on our technical test, although prolonged all-channels power tests provoked temporary shutdown at roughly half-power; since this test poorly reflects real-world use I would anticipate no problems with actual program. Low-pass subwoofer outputs were slightly less steeply rolled off than the 24 dB/octave usual among receivers today.
I uncovered two oddities in the behavior of the Integra’s multichannel analog input. First, despite a clear owner’s manual statement to the contrary, the receiver does perform bass management on incoming multichannel analog signals, high- and low-pass filtering speaker and sub outputs as directed by "large/small" and crossover-frequency setup choices (which is a good thing). Second, multichannel signals are rolled off at about 12 dB/octave above 22 kHz regardless of speaker-setup settings, suggesting that the DSP employed for that processing remains in the loop even when full-band response is desired, which defeats the flat-to-44 kHz capabilities of SACD/DVD-Audio (not that I think this is very important).
DOLBY DIGITAL PERFORMANCE
All data were obtained from various test DVDs using 16-bit dithered test signals, which set limits on measured distortion and noise performance. Reference input level is –20 dBFS, and reference output is 1 watt into 8 ohms. Volume setting for reference level was –7. All level trims were at zero, except for subwoofer-related tests; all speakers were set to "large," subwoofer on. All are worst-case figures where applicable.
Output at clipping (1 kHz into 8/4 ohms)
1 channel driven: 196/297* W (22.9/24.7* dBW)
5 channels driven (8 ohms): 121 W (20.8 dBW)
6 channels driven (8 ohms): 119 W (20.8 dBW)
Distortion at 1 watt (THD+N, 1 kHz)
8/4 ohms: 0.02/0.03%
Noise level (A-wtd): –75.7 dB
Excess noise (with sine tone)
16-bit (EN16): +0.6 dB
Frequency response: 20 Hz to 20 kHz +0.7, –0.1 dB
* Speaker-impedance setup switch set to 8-ohm position; 210 watts into 4 ohms with switch at 6-ohm position
MULTICHANNEL PERFORMANCE, ANALOG INPUT
Reference input and output level is 200 mV; volume setting for reference output level was –18.
Distortion (THD+N, 1 kHz, 8 ohms): 0.02%
Noise level (A-wtd): –89.9 dB
Frequency response: <10 Hz to 200 kHz +0, –1.8 dB
STEREO PERFORMANCE, DIGITAL INPUT
Reference level is –20 dBFS; all level trims at zero. Volume setting for reference level was –3.
Output at clipping (1 kHz, 8/4 ohms, both channels driven): 160/241 W (22.0/23.8 dBW)
Distortion at reference level: 0.02%
Linearity error (at –90 dBFS): 0 dB
Noise level (A-wtd): –75.4 dB
with 96-kHz/24-bit signals: –85.4 dB
Excess noise (with/without sine tone)
16-bit (EN16): 0.35/0.25 dB
quasi-20-bit (EN20): 8.4/9.4 dB
Noise modulation: 0.2 dB
Frequency response: 20 Hz to 20 kHz +0, –0.2 dB
with 96-kHz/24-bit signals: 20 Hz to 43.1 kHz +0, –3 dB
* Speaker-impedance setup switch set to 8-ohm position; 197 watts into 4 ohms with switch at 6-ohm position
BASS-MANAGEMENT PERFORMANCE
Measured results obtained with Dolby Digital test signals.
Subwoofer-output frequency response (crossover set to 80 Hz): 24 dB/octave above –6-dB rolloff point of 80 Hz
High-pass-filter frequency response (crossover set to 80 Hz): 12 dB/octave below –3-dB rolloff point of 80 Hz
Maximum unclipped subwoofer output (trim at 0): 6.9 volts
Subwoofer distortion (from 6-channel, 30-Hz, 0-dBFS signal; subwoofer trim set to 0): 0.04%
Crossover consistency: bass crossover frequency and slope same for all signal formats that receive bass management
Signal-format consistency: consistent for all applicable formats; bass management not available for multichannel analog signals
Speaker size selection: all channels can be set to "small."
Speaker-distance compensation: available for all main channels.
The Yamaha RX-V2600 delivered near-benchmark performance on every test, and literal benchmarks for linearity (0 error at -90 dB) and PCM signal-to-noise, which measured -75.7, the theoretical ideal for our dithered-silence test. Power was impressive for just about any common real-world speaker load, including all-channels power. The receiver shut down when confronted with high-output/low-impedance stresses with its impedance switch set to "6 Ohms," but did fine on the same loads with the switch "mis-set" to the 8-ohm position.
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