With the first major theatrical release in 48 fps, is director Peter Jackson taking a risk with the much-anticipated title?
Audiences around the world are already purchasing tickets for the premiere of Peter Jackson’s vision of the predecessor to J.R.R. Tolkien’ the Lord of the Rings trilogy. In a departure from the single-volume original, The Hobbit: An Unexpected Journey will also be a trilogy, but perhaps more noteworthy is Jackson’s decision to shoot these films in 48 fps HFR (High Frame Rate) 3D. Specifically, Jackson is using high-resolution RED Epic cameras running at 48 frames per second with 5120-by-2700-pixel resolution. While Peter Jackson defends the format, critics worry that that instead of being a cinematic visual treat, the films will have the familiar look of a TV soap opera.