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Ken Richardson

Your Garage or Mine?

Battle of the Bands: The White Stripes vs. Yeah Yeah Yeahs

Pink Floyd's "The Dark Side of the Moon" on SACD

PINK FLOYD The Dark Side of the Moon Capitol Music SACD
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Another Phase of the Moon

Original engineer Alan Parsons explains why the SACD mix doesn't speak to him
Photos by Ebet Roberts Walk into the home of Alan Parsons, nestled in the hills of Santa Barbara, and you'll see ample evidence of his illustrious career. There are so many gold and platinum records on the wall of the studio annex that they spill from the hallway and fill the kitchen.
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Tales from the Dark Side

James Guthrie talks about his great gig in the studio remixing Pink Floyd's classic in surround
Photos by Ebet Roberts

The scene: the London Planetarium. A fitting venue to visit The Dark Side of the Moon. But it's 1973, and this is the album's maiden voyage. And a quadraphonic mix, not approved by Pink Floyd, is being played on terrible, destined-to-be-forgotten speakers. The band members decline to attend and are represented by cardboard cutouts.

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Tomorrow's Music Today

Scouting stars at SXSW 2003

Photos by Ebet Roberts Molotov photo courtesy of Universal Looking through some past Austins: I told you 'bout punk-happy Donnas. You know the place where everything's Norah. . . .

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Recording Engineer Jay Messina

Mix this way: Engineer Jay Messina reworks an Aerosmith classic for surround SACD

Jay Messina photos by Ebet Roberts

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liveTunes!

Listen up: it's showtime at SXSW 04, where new bands hope to turn their 40-minute slots into a big gig

Does Multichannel Music Have a Future? (2005)

Basking in surround mixes for my Elton John review last month, I got fired up by the London 2002 version of "Don't Let the Sun Go Down on Me" from the Dream Ticket DVD-Video.

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Speaking in Surround

Talking Heads: 05 — Jerry Harrison remixes the catalog for multichannel DualDisc

Talk about A road to nowhere ... I'm sitting in Sterling Sound, one of the foremost mastering studios in New York City (make that "the world"). And everywhere I look, I see a high-tech wonderland - except outside the huge window, where everyone can see the remnants of the High Line.

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