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Al Griffin

Test Bench: Shootout - Three 1080p Front Projectors

Epson PowerLite Pro Cinema 1080

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Test Bench: Hitachi P50T501 50-inch Plasma HDTV

Color temperature (Night Mode/Standard Color Temperature before/after calibration): 20 IRE: 5,307/6,175 K 30 IRE: 5,909/6,294 K 40 IRE: 6,240/6,461 K 50 IRE: 6,424/6,475 K 60 IRE: 6,363/6,506 K 70 IRE: 6,532/6,607 K 80 IRE: 6,609/6,697 K 90 IRE: 6,641/6,780 K 100 IRE: 6,651/6,730 K Brightness (100-IRE window): 36.8/38.9 ftL

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Planar Xscreen Front-Projection Screen

Front projectors have long been considered an exotic way to experience movies at home, but they're quickly becoming a more mainstream option. That's because prices for 1080p-resolution front projectors have sunk below three grand, while flat-panel sets with screen sizes 60 inches and up that offer similar resolution have yet to become affordable.

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High-Def Discs and Tapes

VHS Bytes Back: JVC HM-DH30000 D-VHS Digital VCR

There's no denying that digital high-definition TV (HDTV) is a vast improvement over our old analog TV system, but if you want to record any of the high-def programs delivered over the air by local broadcasters or via satellite from Dish Network or DirecTV, your options are ridiculously limited.

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The HDTV Picture Show

The ins and outs of screening photos and high-def home videos on your HDTV

Chances are you bought your HDTV with one purpose in mind: to watch movies, sports, or the many network and cable TV series like Lost and The Sopranos that look stunningly good in a widescreen, high-definition format.

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Test Bench: Sony Bravia VPL-AW15 720p LCD Front Projector

Color temperature (User Mode, Low Color Temperature before/User Mode, Custom Color Temperature after calibration):

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TV Tweaks - Part Two: Behind the Numbers

How to read our lab tests for TV sets

Compared with the "in the lab" box for one of our test reports on, say, an A/V receiver, the lab data for a TV review may seem skimpy. While there aren't a lot of numbers, the ones we do generate can give you a pretty good idea of what to expect from the set - particularly its color reproduction, which is arguably the most important aspect of a TV's performance.

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