Seeing the Digital Light
Two new projectors show off the dazzling potential of Digital Light Processing
(continued)
Hitachi’s DLP Rear Projector
With
its silver case and glassy, sculptured stand, Hitachi’s first DLP
projection set looks good even when it’s turned off. The 55DMX01W
has a 55-inch (diagonal) 16:9 aspect ratio screen and converts all incoming
video signals, including 480i (interlaced) and 480p (progressive) standard
definition and 1080i high-definition digital TV, to the native 720p resolution
of its DMD chip. The set also displays XGA, SVGA, and VGA signals from
a connected computer, so you can use it to surf the Web or play games
on CD-ROM and DVD-ROM.
It might be an example of cutting-edge technology, but the Hitachi set has also been outfitted with many traditional TV features and functions. There’s a wealth of connections, including two wideband component-video inputs and two VGA jacks for computer signals. The remote control has a partially backlit keypad. While I eventually got used to working with it, the many buttons on the remote intimidated me at first.
With no convergence controls to mess with, setting up the Hitachi was a cakewalk -- just turn it on, and you get a crisp image with perfect geometry and focus. A company representative encouraged me to engage the set’s Movie mode before any critical viewing because that turns on the upconverter’s 3:2-pulldown feature -- an important detail the manual fails to mention. (This feature eliminates artifacts that result from transferring 24-frame-per-second, or fps, film to 30-fps video.) After selecting the Movie mode and Warm color-temperature setting, I adjusted the picture controls with Ovation Software’s Avia DVD. The Hitachi’s picture at this point measured pretty close to the 6,500-K NTSC standard, but an additional half hour of tweaking via the service menu brought it up to perfect spec.
|




