The two-tiered THX certification system for A/V components reminds me of canned black olives: the smallest ones you can buy are labeled "large," and they range upward from there to "jumbo," "colossal," and, I suppose, "gargantuan." Similarly, the lowest THX rating, THX Select, is awarded to very good midprice gear, while THX Ultra2 (an upgrade of plain ol
Sometimes boring is better, like Canada's boringly complete and universal health care, boringly low crime rates, and boringly high educational levels. And then there's the boringly predictable excellence and value of the speaker systems that march south from Canada to the showrooms and home theaters of the lower 48.
Anyone who's set up a home theater system knows how much work is involved. Once you find the right TV and speaker system, you need to round up a stack of components, including a DVD player, a video recorder, and, perhaps, a satellite receiver. Then you have to spin a frightening web of wires to route all of those signals through your A/V receiver or preamp/surround processor.
The players are in position, and the pieces are now on the board. But this is not a chess game, and the stakes are even higher than in the richest of Grand Master tournaments. This is the beginning of another video-recorder format war, but unlike the VHS vs. Beta conflict of the late 1970s and early '80s, there are three competing formats.
A DVD player is already a terrific bargain - an inexpensive black box that can play discs full of razor-sharp images, immersive surround sound, and fascinating extras. But what if you could wed a DVD player with another popular entertainment device like, say, a TV, VCR, or game console? Well, it's already being done.
The "trickle-down" economics theory didn't work, but it sure seems to describe what's happening in the world of home theater electronics. Take one of the latest multichannel refinements, those 6.1- and 7.1-channel surround modes that require adding one (or two) back surround speakers to the standard five-speaker-plus-subwoofer array.
When progressive-scan DVD players first emerged almost two years ago, the already excellent picture quality we'd come to expect from standard players suddenly got a whole lot better. That's because the new models could convert video signals to a progressive-scan format for display on a TV or monitor with progressive-scan capabilities.
Less than a year after I reviewed Panasonic's DMR-E10 DVD-RAM recorder in the December 2000 issue, here I am reviewing a follow-up model that, as we've become accustomed in things electronic, has more useful features, equivalent or better performance, and a much smaller price tag - $1,500 instead of $4,000! The drop to a far more realistic price is tre mendous prog ress all by itself.