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BackTalk: Michael Richards

Jamie Sorcher talks with Richards about the best-selling Seinfeld DVD set, creating Cosmo Kramer’s big entrance, and how he almost became Married . . . with Children’s Al Bundy.

Michael Richards hmpgA lot of the Seinfeld props were recently donated to the Smithsonian. Was Kramer's Merv Griffin set included?
You know what went that was mine? The puffy shirt — that's it. But I would have gladly given them my shoes.

You used the same pair of shoes in every episode, right?
That's right. I actually had two pair. One was a "slider" that gave me a little torque off the floor, and the other had a little bit of a sole for when we were working outside.  We actually introduced the idea of doing a lot of exterior shoots. We could afford to do it because the show was so successful, so we had a bigger budget. I had to have a special shoe when I was out on the streets, but it was the same kind of shoe.

I know Jerry kept a lot of stuff from the set. Did you take anything other than the puffy shirt and the shoes?
No. I wish I'd taken the Klein bike in the hall. But you already have everything when you have that kind of a success. I was so fulfilled creatively that I wasn't thinking of stuff like that. I was carrying the whole show in my heart, so I just took the shoes because they were the basis of the character.

Seinfeld was the DVD set to have for the holidays — 
Hey, it's what I wanted. I haven't seen the whole thing put together, but I know how much work we all put into it.

When you watched the shows to do the commentary, did anything jump out at you?
Actually, I started watching the episodes and forgot that I was supposed to be doing a commentary. It was the first chance I had to be outside of the Kramer character and see the show objectively. When I was doing the show, I didn't watch it too much.

Why?
Because I was always tortured, feeling that I could do more. And we had to work fast. We only got two passes in front of the camera, and then we had to move on.

A lot of the Seinfeld episodes were filmed in front of an audience. Did you feed off that? 
I did. When you perform in front of an audience after only two days of rehearsal, you're flying by the seat of your pants — particularly when they're rewriting the show right up to the moment the camera goes on.

The DVD set has the first three seasons. Do you have a favorite episode?
I love all the episodes where Kramer went undercover and became other characters. And I loved it when he was involved in a business venture, a big job, like when he worked for Calvin Klein or when he was the Marlboro Man. Or when he took on the persona of a wealthy industrialist or something like that.


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