These days, it seems like all the bad guys in the world have it in for America. Thankfully, someone is always looking out for us, whether they're dynamic marionettes or top-secret teenagers. Both these films have lots of fun with the spy movie genre. D.E.B.S. (Sony; Movie •••, Picture/Sound •••½, Extras ••) is aimed squarely at family audiences.
Mike Mettler talks with the progressive rocker about the very-much-alive
multichannel mix of /Deadwing,/ the future of surround, the lost art of
album-making, and his iPod disdain.
Posted September 8, 2005
Wilson (far right) with Porcupine Tree
Photo by Lasse Hoile, courtesy AtlanticYour most recent albums, 2002's In Absentia and the new Deadwing (Lava/Atlantic), are both available in DVD-Audio editions from DTS. When you were mixing the last one, you said you didn't want to be influenced by any other surround mixes.
Basking in surround mixes for my Elton John review last month, I got fired up by the London 2002 version of "Don't Let the Sun Go Down on Me" from the Dream Ticket DVD-Video.
Wild Strawberries, House of Cards: Season 1, Oz the great and Powerful 3D, Paul McCartney & Wings: Rockshow, The Newsroom: Season 1, Hansel & Gretel: Witch Hunters 3D.