Entertainment

I'm the wrong person to cover E3. I loathe it. True, I’m a gamer of the 1st degree, but being a E3 has nothing to with being a gamer. It has everything to do with the shouty, misogynistic, terrified-of-the-new, big-business industry of gaming.

Also, I fraking hate crowds of aimlessly wandering people. Haaaaaaaate.

That said, this year was less horrible than year’s past. Here are some pictures and highlights. 

New release (Vertigo/Republic; tour dates)

“What is this that stands before me — again?”

That’s the unavoidable question you’ll ask yourself when you hear “End of the Beginning,” the first track on 13. After all, this song isn’t just Black Sabbath; it’s “Black Sabbath,” the first track on Black Sabbath. That opening to the band’s 1970 debut had quiet, three-plucked-note verses alternating with massive, three-power-chord choruses, all taken at a slow pace until a choppy riff sped us away. “End of the Beginning,” from the original band’s first album together in 35 years, has quiet, four-plucked-note verses alternating with massive, four-power-chord choruses, all taken at a slow pace until a choppy riff speeds us away.

New release (Hear Music/Concord; tour dates)
Photo of Burnett, Mellencamp, and King by Kevin Mazur

Indiana cabin, mid-1900s: Two brothers argue over a girl. One brother accidentally kills the other, and then the fleeing brother and the girl accidentally drive into a lake and drown.

True story. John Mellencamp learned it after buying the cabin in the early 1990s.

Soon after, Mellencamp got the idea for a musical based on that story. By 2000, he had begun work on the score (both music and lyrics), and he asked Stephen King to write the book.

For its 50th anniversary — along with the hoopla of a Cannes Film Festival re-release, a limited theatrical engagement in more than 200 theaters, and Richard Burton’s posthumously receiving a star on the Hollywood Walk of Fame next to Elizabeth Taylor’s — Cleopatra has been newly digitally restored in a 243-minute original theatrical cut.

Steve Wynn was right there at the forefront when the alternative music scene exploded in the '80s. As a member of The Dream Syndicate, Wynn helped usher in the movement known as The Paisley Underground.