Stereo

History may one day judge “offshoring” to be the macroeconomic disaster that some pundits would have us believe. Still, you can’t argue that it’s been a microeconomics windfall for American consumers.

British loudspeaker firm KEF's been putting out quality designs for 50 years now, and they're showing no signs of slowing down.

Making their formal debut tomorrow at Montreal's Salon Son & Image high-end show, Axiom Audio's new Omnirectional Linear Field Radiating Speakers are a brand new design, pairing front- and rear-baffle mounted drivers with custom DSP and a unique cabinet design to create a wholly new twist on transducers from the Canadian compa

TRADITIONAL two-channel audio never went away. But there’s no denying that since the early ’90s, stereo has been overshadowed by home theater. Most of the audio industry devoted most of its effort to adding more speakers, more channels of sound, and more complexity to our systems.

Were we to travel to, say, Jupiter, and abduct its leading audio engineer (turnabout is fair play, after all), we might want to ask him (or it) this question: what’s the very best way to design a loudspeaker for the reproduction of high-fidelity music?

There’s no doubt in my mind as to how our Jovian guest would answer: “Active/powered!”