It seems like there have been Paradigm Monitor-series speakers roaming the earth since shortly after Rice and Kellog patented the dynamic loudspeaker as we know it in 1924. (The original practical design was by Peter Jensen, co-founder of Magnavox, some years earlier.) And as the arrival of its “Series 7” might suggest, the Canadian maker’s Monitor family does in fact date back a couple of decades. Like the speakers that preceded them, Paradigm’s new Monitor models are benchmarks of performance/value quotient in the best Canadian-speaker tradition: rationally priced, excellent-performing, technically advanced designs that compete very effectively with some far more costly “high-end” designs.
So what has changed for Series 7? According to Paradigm, the answer is smaller, deeper, broader: The new models are smaller in size (and so more décor-friendly), yet thanks to redesigned waveguides and the adoption of aluminum bass/mid cones and tweeter domes, they offer improved low-frequency extension and smoother, wider off-axis response. In other words, just like before — but more so.
Unboxing and setting up any floor-standing tower-based system is a bit of a project; fortunately, the suite that Paradigm assembled is of modest size and quite manageable. Being a three-way design, the Monitor Center 3 is a bit taller and heftier than typical 3-driver centers, and so requires decent support and line-of-sight clearance below the video display, which my low stand provided. The Monitor Surround 3, which Paradigm calls “bi-directional” (they are bipolar), went on my usual high, side-wall shelves, and I placed Paradigm’s DSP-3200 subwoofer in the usual spot just behind and outside of the right-front tower.
The DSP-3200 is a nicely compact 12-incher, with all the usual facilities plus one extra: a USB port. This enables Anthem’s optional Perfect Bass Kit ($299), a computer-driven sub-optimizer and room correction equalizer kit that includes a very nice calibration mike, a mike stand, and Windows software. Connecting the sub to the computer (using the supplied USB cables) and running the entire procedure takes about 15 minutes all told, and will mitigate the two or three most egregious peak/dip errors imposed by the average room. (It did so in mine.)
As Paradigm’s “entry-level” full-size range, the China-made (like virtually all price-competing loudspeakers today) Series 7s are plainly but carefully finished: precisely machined, with nice vinyl exteriors, soft-touch-finished baffles, and carefully detailed grilles. Unpretentious they may be, but the new Monitors neither feel nor look “cheap.”
"Pulling them out 4 feet or more from the wall...". Oh, come now (or in current vernacular, "really?"). At least this section allows me to vent about the ridiculous notion of putting a speaker four feet into a room. Several other S&V reviews over the years recommended a three-foot remove from the wall, which was enough to make this reader stop subscribing and lower the worth of the review. And I've owned Paradigm Reference speakers since the 90s. A generous 18 inches from the wall, and rear-ported too.
Even if you've got a McMansion in Mooresville, NC why would you surrender 35-50 square feet of pricey floor space and a whole lot more visual turf to this? If you're not sitting in the sweet spot there's a good chance that 55-incher will be obscured unless it comes out the same distance too, and then your guests will suspect you've sublet the space behind because your mortgage is underwater.
If you're in a non-monster house, let alone a typical condo, or if you have a spouse who is anyone other than a guy who can chat for hours about the sound of cables, such speaker placement isn't even up for discussion. Think of the mass of your readers before advising nonsense.