

Since you can't just point analysis gear at a pair of headphones, we used a KEMAR manikin — whose rubbery ears not only simulate the effects of the shape of the human head on how sound is perceived, but hide measurement microphones — to measure the frequency response and sound isolating capabilities of the headphones from a wearer's perspective.
Marley Exodus
($149.99, thehouseofmarley.com)
Beats Pro
($449.95, beatsbydre.com)
Skullcandy Roc Nation Aviator
($149.99, skullcandy.com)
AKG Quincy Jones Q 701
($399, us.akg.com)
JustBeats Solo
($199.95, beatsbydre.com)
Soul by Ludacris SL300WB
($349.95, soulbyludacris.com)
Miles Davis Trumpets
($349.95, monstercable.com)
The success of Dr. Dre's Beats sent up a signal flare that alerted the rest of the celebrigentsia — who've realized that there's no safe money in music anymore — that there was cash to be had in them thar ‘phones. They've since had at it in a big way, with everyone from Justin Bieber to Quincy Jones to the estates of Miles Davis and Bob Marley slapping their names on hardware.
But are any of these headphones any good? We set out to figure out which — if any — of these celebs deserve your hard-earned dollars. We called in a team of expert listeners to pick 'em apart, and then put each headphone through some rigorous lab testing to figure out what was really going on underneath those fancy designs.
We gathered seven of the latest artist-approved models. As the pseudo-progenitors of the breed, we brought in two examples from Beats, namely the top-of-the-line Beats Pro and the Justin Bieber-endorsed JustBeats Solo. Tangentially related to these (they're also built by Monster Cable) are the in-ear Miles Davis Trumpets. Quincy Jones added some class to the table, with the Q 701, part of his Signature Line from AKG. Jay-Z's Roc Nation paired with Skullcandy for the Aviator, while Ludacris's Soul brand was represented by the SL300WB noise cancelling headphones. Miles wasn't the only formerly living artist on our list, joined as he was by the House of Marley Freedom Collection's Exodus.
Fellow tech editor Brent Butterworth (who setup the hardware and did all the measurements) and I got to work.
"What is a Bieber?" he asked. As is usually the case, I wasn't entirely sure if he was joking.
"A haircut," I replied.
We were clearly off to a good start. But I figured our lack of interest in most of the artists represented here had little relevance to our goal. After all, it doesn't matter to us what the branding is — we're interested in the sound quality. We took a two-pronged approach, with Brent measuring the frequency response and sound isolating capabilities of all the headphones (more on that later in this article), and — given how deftly versed in popular music we are — we figured it'd be best to convene a listening panel, so we brought in a couple of other experts to help us pick the best of this bunch. Lauren Dragan is a professional voice actress and singer. She also has a history in radio and has a fantastic ear, being an occasional audio reviewer herself. Will Huff is a LA-based jazz musician with a finely tuned ear and while new to the headphone faceoff game, his responses show he has a knack for it.
The members of our listening panel individually ranked the headphones from best to worst, then we collected and tabulated everyone's votes to come up with our list of overall winners and losers.
Did the data back us up? Yes and no.
First off, the charts in this article may look a little strange if you're used to seeing frequency response graphs for speaker systems (If all frequency response graphs look strange to you, check out Brent's informative post on the subject). In short, while a speaker with a flat frequency response (exhibiting a gentle rolloff in the bass, but otherwise approximating a straight line from around 80 Hz all the way on up to 20 kHz) sounds best to most people, that's not the case for headphones. Heaphones are designed to compensate for the fact that when we're wearing them, we're not hearing sound moving through the air or interacting with the room around us. So a good headphone design includes a bass boost, a dip in the low mids, boost in the high mids, and a rolled-off high end.
But the perceived sound of headphones is very subjective, since it is so heavily dependent on the shape of the wearer's ear. You might hate a pair that measures well on a KEMAR, and the next guy might love them. And, lo and behold, while the headphones with the most "textbook" response curves were generally better liked, not only did our panel not agree on most of these 'phones, but our overall winner wasn't the model with the best-looking graph.
Read on for details — and our winners and losers.










Copyright © 2013 Bonnier Corp. All rights reserved. Reproduction in whole or in part without permission is prohibited.


Absolutely terrible evaluation. The only acceptable headphone in here is the q701 and you "audio experts" were to thick to plug them into a proper source to realize that.
To anybody reading this, take what they say with a grain of salt.
Hi, Harold. I'm not sure what you'd consider a "proper source," but we used a Samson professional headphone amplifier for the panel tests. Main source device was a Denon DVD-2900 (used as a CD/SACD player) and some of the participants also hooked up their iPods to the headphone amp. In most cases, this testing setup is far superior to what will generally be used with these headphones. If you re-read the article, I think you'll see that our assessment of the Q701 was generally positive.
So I can understand why you feel the Q701 is so superior to all of the other models we tested, can you elaborate on the testing procedures you used when you compared all of these headphones? Did you compare them directly to each other with the same source, or did you hear them all at different times under different conditions?
---Brent Butterworth
Harold, you are a moron. You said what you said because you think that AKG are the only "real" manufacturers of quality headphones in this test. The test was to see which is the best celebrity endorsed headphones which they did perfectly and incredibly in depth seeing as they probably all went into this review expecting all these headphones to be crap.
As to questioning their practice when testing the headphones, i'm not even going to get started on those stupid unfounded comments.
To anybody reading Harolds comments, take what he says as bullshit.
I wonder how much monster and skullcandy paid these guys to put their products up front.
"The" Harold T. Wilkins? Didn't you die in 1960? I wonder which PR firm or manufacturer *this* haroldtwilkins works for...?
Nice round-up, guys. I tried skipping through it but it was too funny so I read the whole thing. Still swear by my KOSS ESP/950s, but they're not very portable...
@haroldtwilkins Thank you for proving my point:
http://www.soundandvisionmag.com/blog/2011/09/23/haters-gonna-hate
Or in this case, Trolls gotta troll.
If calling me a troll helps you keep the illusion in your mind that you are running a magazine worth reading, then by all means.
I acknowledge that the Q701 is a low-tier headphone marketed as a cheap reference in the world of hifi. But putting it in a lineup with utter crap (thats being very polite), ranking it 4th, and then calling somebody who criticizes you a troll? head-fi and the hifi world is laughing at you.
@BrentButterworth
As I said before "a proper source". Your Samson does not fit the bill, in my opinion you may aswell be plugging it into your ipod if that is what your are indeed using.
In doing a quick search of your site, it's obvious professional or hifi gear isn't your priority. But for the love of god if by the slightest chance you get your hands on something halfway decent, recognize it for what it is. No matter how far AKG has fallen in the hifi world, it's a fucking insult to rank it's flagship after beats or skullcandys on the basis that you don't have the proper gear/source to power it. A FUCKING INSULT.
@GeoffMorrison
"These malcontents have a passion for posting vitriol wherever their sensibilities about good and bad companies/products/technologies are impugned."
You don't see the irony in the fact that you took the time to post that? You are the ultimate hypocrite writing this on a professional audio/visual magazine that writes subpar articles about subpar products.
Harold, my Samson headphone amp has considerably greater output capability than an iPod. It has a 16-volt, 1.2-amp power supply, vastly more dynamic range and headroom, far more current, flatter frequency response, etc. You don't cite what you would consider an appropriately "hi-fi" headphone amp, or any technical reason why a professional multi-output headphone amp like the Samson is inadequate for this test. In fact, a multi-output professional amp is ideal for this test because it allows quick comparisons at roughly matched levels, something that is impossible with any audiophile headphone amp.
Since you didn't answer my question about how you compared the headphones, I have to assume you've never heard any of the headphones we tested here except maybe the Q701. This puts you in the category of people who judge components by their brand. If that's what you choose to do, OK, but please don't attack us for judging components by their actual performance.
Also, please don't use that kind of language on this site.
@haroldtwilkins How dare you, HOW DARE YOU say I took time to post that. I took time to write that. Michael Berk took time to post it.
Barely better then the white monstrosities that come with the Ipods? For the price of these things they better be a lot better then that. How about telling us what the good ones are.
@BrentButterworth
Your Samson (you didn't provide the model) has a whopping max 100 ohm impedance, this is very inadequate to power the k/q70x series. What you are using, as I said, is marginally better than listening straight out of an ipod - with the advantage of hosting 4 stereo channels at a time for comparison. If you are truly a hifi magazine then you would not be using this setup. However for all I know you arn't a hifi magazine. If you are not then so be it, acknowledge that you arn't and I'll end my rant.
Brand biased? I am not a fan of the recent akg line because it has an unnatural soundstage which makes vocals sound off. But the beats pro and skullcandy aviators are an absolute joke in comparison. An absolute joke. I can hardly conceive mentioning them in the same sentence let alone in the same review.
I have not heard the other headphone's hence why I didn't comment on them. Also I believe if you scroll up I was not the first to cuss in these comments.
@GeoffMorrison
The truth hurts.
Harold, as a freelancer I don't speak for Sound + Vision, but I'll happily acknowledge that as I see it, Sound + Vision isn't intended to fit what your concept of a "hi-fi" magazine would seem to be. But there's good news: You're free to read something else. I don't understand why you seem to feel every audio publication should be crafted to suit your tastes and prejudices. And as someone who's worked on these publications for 20+ years, I have learned that trying to cater to the belligerent is a poor business decision. I doubt any manager in any business would disagree.
If you read the article again, you'll see that the panelists liked the Q701 but preferred the headphones that had more bass. The Q701s might have sounded a bit better with a $1,000 headphone amp, but the difference would be subtle. They're not sealed headphones. They're not going to have much bass no matter what you plug them into.
We did this test not from the perspective of a Head-Fi reader, but from the perspective of a typical consumer who wants a good set of headphones. The manufacturer knew what types of headphones we'd be comparing it with and didn't have a problem with it.
I cannot respect the opinions of anyone who passes judgment on products without actually hearing them. Nor can I respect your hostile demeanor. I've granted you far more of my attention than you deserve, but that must now come to an end.
Hey, when are you guys going to review Monster's Turbine line? They're the most underrated IEMs.
@GeoffMorrison Don't worry about crabby haroldtwilkins. He's just upset because you're bringing sexy back. ;)
I appreciate the time you guys spent on putting this comparison together. Flashy marketing campaigns easily hypnotize so it’s easy to lose sight of the product itself. I would love to see a comparison of top of the line headphones.
You said what you said because you think that AKG are the only "real" manufacturers of quality headphones in this test. The test was to see which is the best celebrity endorsed headphones which they did perfectly and incredibly in depth seeing as they probably all went into this review expecting all these headphones to be crap.
porn | porno day | kelebek
@Gotcha Damn right I am. No Turbines are in the queue at the moment, but we should probably add them. In the mean time, check out these actually good headphones:
http://www.soundandvisionmag.com/article/headphone-roundup-hi-fi-go
@koufax Check out the above link
@Mono ditto
It seems that Harold is in his own reality and that reality finds himself with very few friends.
Why not consider the fact that the best headphones consist of 3 basic criteria.
1) what you can afford.
2) what sounds the best for your needs.
3) and what looks and feels good to you.
I have several pair of the Breats by Dre headphones. The pros, the solos, and the diddy beats. They all sound great connected to my laptop and/or iPhone because that's the only time I need headphones!
Who listens to headphones while you are at the house? That's what those high priced speakers are for!
Get it? It's what works for YOU and what the consumers are willing to pay. And if it all wraps together nicely with some style and flash then its hit.
So Harold, let's show some appreciation to the guys who put this test together and took the time to be as diligent as possible in their recording, and just be cool man!
....Or read another magazine.
-
While I respect that this is all subjective, I think you are sooo off base (as opposed to bass) regarding the Ludacris Soul SL300s. These are not intended to serve as audiophile headphones. I use for light activity (walking, work around the house) and LOVE them. While I agree the treble can be a little harsh, the overall range, particularly the low end, makes listening to any contemporary music exciting. There is a definite "wow factor" with their sound. While they may not be the best for Mozart, I challenge all of you to listen to the Kelis' single Bossy and say they aren't the best of the bunch for at least certain types of music. P.S. I would have been more interested in an apples to apples comparison using the Dr. Dre Beats Studio which is more comparable instead of the Pro. Also, I've tried the Monster in ears and agree they are one of the best sounding as long as I physically hold in the ear buds. I can never get a good fit and they lose sound quality as soon as they start to slip out.
tried beats solo from my friends, and bunch of other beats model at best buy. i dont see anything special. maybe its just me. but i wouldnt pay 300+ for beats xD.
tried beats solo from my friends, and bunch of other beats model at best buy. i dont see anything special. maybe its just me. but i wouldnt pay 300+ for beats xD.
Can you explain why your frequency graph for the Q701s doesn't look like the one at headroom, located here:
http://www.headphone.com/headphones/akg-q701-quincy-jones.php
I recently bought them and I'm blown away by the quality of the sound, including the bass. I'm hearing bass in songs that I never really noticed on my normal speakers with an 8" sub. If you look at the frequency response on that site, they're only -3dB at 20Hz, which seems quite good for headphones in my opinion. I have to agree with "Harold"'s sentiment that you had them underpowered.
@apollo33: I don't know why my frequency response chart for the Q701s looks different from the one you linked to. The positioning of the headphones isn't a big variable with models like this, provided they're reasonably well-centered on the ear. I used the compensation curves included with the G.R.A.S. microphones; these didn't produce anomalous results otherwise. I can say, though, that the measurements corresponded quite well with what the panelists heard.
The term "underpowered" as you used it here is vague. There's no question that the amplifier we used had far more than sufficient power to drive any of these headphones. Harold did make a potentially valid criticism that this amplifier's output impedance was too high for these headphones, which is why I've switched to a Rane HC 6S amplifier (output Z specified and confirmed at 0.5 ohms) for panel tests and a Musical Fidelity V-Can (output Z specified and confirmed at 5 ohms) for measurement. Our headphone reviews now show the effect on frequency response when driven with a 5 ohm vs. 75 ohm amp, so you can see what happens when the device is used with, say, a smartphone.
More in the following post…..
Continued from above....
However, I recently wrote an article where I compared the performance of several headphones using the V-Can and a Dell Inspiron Mini 10 netbook (output Z measured at 75 ohms). In every case, the effect of using an amplifier with a higher output impedance was to boost the bass, not attenuate it. You can see the results here:
http://www.soundandvisionmag.com/blog/2011/11/14/output-impedance-show-a...
I had the chance to question the panelists thoroughly about each headphone. They generally thought the Q701 was OK, but they weren’t bowled over by it. Harold didn’t present any data that disproves our conclusion. He presented his own opinion. Now we have yours, too. I thank you for adding it and hope you’ll do that with our other headphone reviews, too, whether you agree with us or not. Headphones are highly subjective. The more opinions we get, the better.
I also hope that those who read this will check out the Q701 for themselves, compare it to some other headphones, and see whom they agree with.
Just to comment on the Mile sDavis in-ear set: I got these too. I found the sound quality to be utterly amazing. Better than anything I experienced before. Certainly better than standard apple buds as was indicated in the review by one of the reviewers. However, they do depend on a good fit, which is not only critical for a good sound from these buds, it's also next to impossible to achieve! Despite the 20 or so different size shape and material buds included, none of them fit me well. The standard ones seems to be the least troublesome, and give the best sound, but they depend on the phones sticking out straight from my ear, and unfortunately whilst moving and being human and all, they do move and into a less sonic optimal position, which affects passive noise reduction and the sound experience.
Another major drawback that disallows these bing used when actually moving, is that the wires are ultra microphonic and amplify the slightest tap on the wires, ruining the sound.
I found online many people found better experiences when using ear buds from other companies like sony, or as indicated by one of the reviewers here.
All in all I think when they fit perfectly they are the best ear phones I experienced, but considering their poor fit with the resulting sound reduction, I'd say they are not worth the money you pay for them. (though admittedly, the packaging with 3 different cases, and a CD does make the package attractive...)